{"id":9263,"date":"2012-12-11T09:08:30","date_gmt":"2012-12-11T09:08:30","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=9263"},"modified":"2012-12-11T09:08:30","modified_gmt":"2012-12-11T09:08:30","slug":"la-mul","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2012\/12\/11\/la-mul\/","title":{"rendered":"La mul\u021bi ani Hedir!"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\u00cengerul anonim vegheaz\u0103: poeta Hedir Al-chalabi iube\u015fte existen\u0163a din lut \u015fi lumina ascuns\u0103 ei<\/strong><\/em><\/p>\n

\u00cen aceste zile a ie\u015fit de sub teascul tipografic o nou\u0103 carte a poetei Hedir Al-chalabi.\u00a0 Se nume\u015fte frumos \u015fi trist, \u201eRai \u00centunecat\u201c \u015fi este a patra ei carte, dup\u0103 \u201eEcouri de speran\u0163\u0103\u201c,\u00a0 Editura DavidPrintPress Timi\u0219oara 2009, \u201e\u015eoptind suspine mute\u201c, Editura DavidPrintPress Timi\u015foara 2012, \u201eG\u00e2nduri ciobite\u201c, Editura \u201eMirador\u201c Arad\u00a0 2012 (\u00een colaborare), precum \u0219i \u00een dou\u0103 antologii colective .
\nDe la bun \u00eenceput afirm r\u0103spicat c\u0103 \u201eRai \u00centunecat\u201c este indiscutabil mai consistent\u0103, mai nuan\u0163at\u0103, at\u00e2t \u00een calitatea textului literar propus c\u00e2t \u015fi \u00een cantitate, poeta pun\u00e2ndu-ne \u00een fa\u0163a ochilor, a min\u0163ii \u015fi a sufletului un material mai autocenzurat, mai ela\u00adborat dec\u00e2t \u00een precedentele c\u0103r\u0163i. A\u015fadar, remarc o cre\u015ftere a\u00a0 valorii actului poetic, o evident\u0103 dezvoltare\u00a0 a maturit\u0103\u0163ii de expresie, un adev\u0103rat \u201esalt calitativ\u201c, cum ar spune un director de fabric\u0103.
\nCitind cartea de fa\u0163\u0103 recunoa\u015ftem aceea\u015fi Hedir Al-chalabi sensibil\u0103, nuan\u0163at\u0103 la detaliile \u00eentortocheate ale ascunzi\u015furilor sinuoase ale sufletului din c\u0103r\u0163ile anterioare, dar cu mult mai trist\u0103, crunt de trist\u0103, dureros de trist\u0103. Aproape c\u0103 sim\u0163i durere fizic\u0103 atunci c\u00e2nd cite\u015fti c\u0103 \u201e\u00cenvele\u015fte-te cu lemn uscat\/Mucegaiul s\u0103 te \u00eenv\u0103luie\/\u015ei las\u0103-te \u00eenfr\u00e2nt de m\u00e2hnire\u201c (Vioara \u00eentristat\u0103). Chiar speran\u0163a e una trist\u0103, abordat\u0103 prin imagini vizual-cromatic doar sugerate: \u201eM\u0103sor curcubeul ap\u0103rut de nic\u0103ieri,\/M-a\u015f trezi privindu-l dup\u0103 moarte\/S\u0103-mi cl\u0103teasc\u0103 ochii \u00een culoare,\/Teroarea s\u0103 plou\u0103-n armonie.\u201c (Degete pierdute).<\/p>\n

Dragostea este pl\u00e2ns\u0103 \u015fi suspinat\u0103, poeta t\u00e2nje\u015fte dup\u0103 iubire, dar obstacolele o \u00eempiedic\u0103 pentru c\u0103 \u201eA\u015fternutul nu \u00eel mai po\u0163i numi a\u015fa\/ E o plas\u0103 de s\u00e2rm\u0103 ghimpat\u0103\/\u00cen care tu \u015fi eu dormim\/\u2026 separa\u0163i de lungi distan\u0163e\u2026\u201c (S\u00e2rma ghimpat\u0103);\u00a0 \u201eDevenind rege personal\/M-ai \u00eenc\u0103tu\u015fa\/ Asigur\u00e2ndu-te c\u0103 doar \u0163ie\/Pe de-a-ntregul \u00ee\u0163i voi apar\u0163ine.\u201c (Dragoste \u00eenc\u0103tu\u015fat\u0103). Uneori dragostea pare \u00eemp\u0103rt\u0103\u015fit\u0103, c\u0103ci \u201eAdmir ochii-\u0163i \u00eencerc\u0103na\u0163i,\/Cu drag privesc \u00een fa\u0163a lor\/ sclipind a rai \u015fi mirosind a iarb\u0103\u201c (Venerare).
\nHedir Al-chalabi nu este indiferent\u0103 nici fa\u0163\u0103 de\u00a0 truda crea\u0163iei, pe care o simte dureros, p\u00e2n\u0103 la epuizare: \u201eScriu c\u00e2t timp m\u00e2na mea\/Va mai putea c\u0103ra candela\u2026\u201c(Candela ascuns\u0103),\u00a0 \u201eCartea am \u00eencercat s\u0103 n-o strivesc,\/Lumina nu a mai intrat \u00een ea,\/Literele s-au transformat \u00een r\u0103ni ad\u00e2nci.\u201c (Carte protejat\u0103), c\u0103ci\u00a0 \u201eOglin\u00adda tulburat\u0103\/\u00cen ea lumina demult nu se mai vede,\/Nici treptele nu se mai \u00eenal\u0163\u0103,\/Picioarele au devenit \u00een timp de ghea\u0163\u0103,\/Monstrul p\u0103g\u00e2n se-ascunde sub soare,\/Dar m\u00e2inile nu uit\u0103 s\u0103 r\u0103m\u00e2n\u0103 creatoare.\u201c (Monstru creator). Versurile de mai sus sunt un ars poetica, o credin\u0163\u0103 nestr\u0103mutat\u0103\u00a0 \u00een arta crea\u0163iei precum \u015fi \u00een accep\u00adtarea plenar\u0103 a sacrificiilor ce le incumb\u0103.
\nDe\u015fi poeta se simte o condam\u00adnat\u0103 la via\u0163\u0103 (moartea refuz\u00e2nd-o), este strivit\u0103 \u015fi \u00eenchis\u0103 de zidurile propriei exil\u0103ri, are totu\u015fi o speran\u0163\u0103, o \u00eencredere oarb\u0103 \u00een destinul ei, socotind c\u0103 undeva sus, un \u00eenger f\u0103r\u0103 nume, anonim, o p\u0103ze\u015fte de r\u0103ul lumii, ocrotindu-i menirea \u015fi a\u015fa dureroas\u0103 de pe acest p\u0103m\u00e2nt. Astfel,\u00a0 mul\u0163ume\u015fte entit\u0103\u0163ii divine: \u201e\u0162i-a\u015f s\u0103ruta piciorul\/Ce \u0163i l-am sp\u0103lat cu mosc\/Dar te privesc vr\u0103jit\u0103\/Cum gura ta vorbe\u015fte\/\u00cen limbi necunoscute\u2026\u201c (C\u00e2ntarea nop\u0163ii). Poeta este prieten\u0103 cu acest anonim \u00eenger p\u0103zitor, se tutuiesc, ei au o rela\u0163ie de prietenie, nu de subordonare: \u201eA\u015fa c\u0103 eu \u015fi El nu ne mai domnim\u201c (Domnirea). Pentru frumuse\u0163ea versului care parc\u0103 se scurge ca un fluid imaterial, pentru frumuse\u0163ea personific\u0103rii, am s\u0103 reproduc \u00een \u00eentregime poemul \u201eSingurul f\u0103r\u0103 nume\u201c, titlu de poem care ar putea fi semnifica\u0163ia\u00a0 \u00eentregii c\u0103r\u0163i aici de fa\u0163\u0103, ar fi putut fi chiar titlul ei: \u201eStelele au \u00eemp\u00e2nzit cerul,\/Licuricii se joac\u0103 sub privirile noastre\u2026\/Cum s\u0103 nu-\u0163i s\u0103rut m\u00e2inile\/C\u00e2nd ele sunt ocrotitoare?\/Cum s\u0103 nu-\u0163i dau nume\/ C\u00e2nd ochii t\u0103i de rele m\u0103 feresc?\/C\u0103ci Dumnezeu te-a f\u0103cut \u00eenger\/Dar dintre to\u0163i, e\u015fti singurul f\u0103r\u0103 nume!\u201c. A\u015fadar mai are o speran\u0163\u0103, steaua ei nu va pieri.
\nCa o concluzie, a\u015f \u00eent\u0103ri ideea c\u0103 Hedir Al-chalabi a scris o lucrare literar\u0103 foarte important\u0103 pentru poezia de limb\u0103 rom\u00e2n\u0103, cum frumos spune E.L.S.E . \u00een prezentarea c\u0103r\u0163ii. Potrivit lui E.L.S.E., lucrarea lui \u201eHedir Al-chalabi constituie un moment de referin\u0163\u0103 \u00een lirica rom\u00e2neasc\u0103 actual\u0103, un moment de referin\u0163\u0103 \u00een peisajul poetic contemporan.\u201c Iar criticul Dan L\u0103z\u0103rescu conchide, \u00eentr-un\u00a0 text foarte concentrat\u00a0 de pe pagina a patra: \u201e\u00cempins\u0103 de valul propriilor nemul\u0163umiri, poeta noastr\u0103 pre\u00adsimte mi\u015fcarea, chiar dac\u0103 nu \u015fi consecin\u0163ele ei.\u201c
\nTip\u0103rit\u0103 sub \u00eengrijirea Editurii \u201eMirador\u201cArad, cartea \u201eRai \u00centunecat\u201c este o reu\u015fit\u0103 \u015fi din punct de vedere estetic, ea bucur\u00e2ndu-se de ilustra\u0163ii absolut superbe, care se muleaz\u0103 perfect pe con\u0163inut, ilustra\u0163ii semnate de artista Sofia Klemenco, precum \u015fi de o pagina\u0163ie plastic\u0103, potrivit\u0103 unui text liric.
\nPersonal, \u00eei urez poetei Hedir Al-chalabi noi lucr\u0103ri, care s\u0103 se ridice cel pu\u0163in la nivelul celei de fa\u0163\u0103, \u201eRai \u00centunecat\u201c.
\n\u015ei pentru c\u0103 ast\u0103zi este ziua ei de na\u015ftere \u00eei ur\u0103m colegei noastre de la Glasul Aradului\u00a0 un sincer \u015fi vesel La mul\u0163i ani!, iar raiul ei terestru s\u0103 devin\u0103 cu mult mai luminos!<\/p>\n

\nLaudatio<\/strong>\u00a0<\/em>
\nHedir Al-chalabi este un om norocos. Destinul ei de p\u00e2n\u0103 acum i-a dat posibilitatea s\u0103 cunoasc\u0103 lumea \u015fi oamenii \u00een cele mai ascunse col\u0163uri ale ei, lor,\u00a0 at\u00e2t \u00een zone mai \u00eentu\u00adnecate c\u00e2t \u015fi mai luminoase sau doar penumbrite.
\nMai exist\u0103 entit\u0103\u0163i care sunt \u00eencercate\u00a0 de via\u0163\u0103, sunt supuse unor presiuni din care ies cu fruntea sus. Numai c\u0103 Hedir Al-chalabi nu face doar o simpl\u0103 trecere prin lucruri, prin fenomene. Ea decanteaz\u0103 r\u0103ul de bine, binele de mediocru \u015fi albastru de alt albastru. Ea \u00ee\u015fi scrie c\u0103r\u0163ile nu pe h\u00e2rtie, ci direct pe oamenii din jurul ei, pe care-i iube\u015fte \u015fi-i c\u00e2nt\u0103; chiar dac\u0103 uneori o face \u00een surdin\u0103, de teama unor ferecate por\u0163i ale intole\u00adran\u0163ei \u015fi ale unui rai, \u00eentunecat de \u00eengeri anonimi.
\nDin preaplinul inimii sale, Hedir d\u0103ruie\u015fte celor apropia\u0163i nestemate de vers, cizelate \u00eendelung \u015fi mig\u0103los \u00een lungile nop\u0163i de insomnii \u015fi de nelini\u015fti provocate de viet\u0103\u0163ile canibale ale nop\u0163ii. C\u0103r\u0163ile pe care le-a scris deja precum \u015fi cele pe care le va suferi \u015fi le va pl\u00e2nge \u00een viitor\u00a0 vor oferi lumii o poet\u0103-unicat, un om de o bog\u0103\u0163ie moral\u0103\u00a0 \u015fi\u00a0 cultural\u0103 cum rar \u0163i-e dat s\u0103 \u00eent\u00e2lne\u015fti prin casele acestei lumi.
\nAst\u0103zi, Hedir Al-chalabi \u00eenconjoar\u0103 Soarele \u00eempreun\u0103 cu P\u0103m\u00e2ntul pentru a 28-a oar\u0103. O v\u00e2rst\u0103 jenant de t\u00e2n\u0103r\u0103 pentru experien\u0163a ei uria\u015f\u0103 de via\u0163\u0103 tr\u0103it\u0103 \u015fi durut\u0103. Este o fire voluntar\u0103, senin\u0103, z\u00e2mbetul ei molipsitor \u00ee\u0163i aminte\u015fte de oazele de\u015fertului, de Zeul Ra \u015fi de seninul ochilor cad\u00e2nelor din palatul sulta\u00adnului.
\nHaide\u0163i s\u0103 z\u00e2mbim! Hedir Al-cha\u00adlabi ne lumineaz\u0103 cu optimismul ei aerul din jurul nostru.<\/p>\n

\n\u00a0 Monstru creator<\/strong><\/em>
\nOsul e cioplit de liter\u0103
\nVia\u021ba \u0219i iubirea o inspir\u0103
\nSt\u00e2nca nu ar pl\u00e2nge niciodat\u0103
\nNici inspira\u021bia nu ar fi adev\u0103rat\u0103.
\nOglinda tulburat\u0103
\n\u00cen ea lumina demult nu se mai vede
\nNici treptele nu se mai \u00eenal\u021b\u0103
\nPicioarele au devenit \u00een timp de ghea\u021b\u0103.
\nMonstrul p\u0103g\u00e2n se-ascunde sub soare
\nDar m\u00e2inile nu uit\u0103 s\u0103 r\u0103m\u00e2n\u0103 creatoare.<\/p>\n

\nDate biobibliografice:<\/strong>
\n– Este n\u0103scut\u0103 pe 11 decembrie 1984 la Timi\u0219oara
\n– A urmat cursurile Universit\u0103\u021bii Tibiscus din Timi\u0219oara, Facultatea de Jurnalistic\u0103
\n– \u0218i-a continuat masteratul de Jurnalism \u0219i Publicitate \u00een cadrul ace\u00adleia\u0219i universit\u0103\u021bi
\n– \u00cen perioada liceului \u0219i a facult\u0103\u021bii a urmat cursuri de specializare \u00een ziaristic\u0103, cursuri sus\u021binute de eminen\u021bi profesori de specialitate din \u021bar\u0103 \u0219i din str\u0103in\u0103tate
\n– Literar a debutat \u00een revista liceului, iar publicistic \u00een perioada facult\u0103\u021bii la diferite ziare din Timi\u0219oara
\n– Editorial a debutat \u00een 2008 \u00eentr-o antologie de specialitate, \u00eengrijit\u0103 de profesorii Dalia Petcu \u0219i Vasile Gherhe\u0219
\n– Literar a publicat: \u201eEcouri de speran\u0163\u0103\u201c (Editura DavidPrintPress Timi\u0219oara 2009), \u201e\u015eoptind suspine mute\u201c (Editura\u00a0 DavidPrintPress Timi\u015foara 2012), \u201eG\u00e2nduri ciobite\u201c (Editura \u201eMirador\u201c Arad\u00a0 2012 \u2013 \u00een cola\u00ad- borare), \u201eRai \u00centunecat\u201d (Editura Mirador Arad 2012)
\n– A publicat \u00een volumul colectiv de \u201eJurnalism \u0219i Comunicare\u201d (Editura Artpress Timi\u0219oara 2008), \u201ePoeme Hai-Hui\u201d, o antologie de poezie (Editura Grinta&Singur 2012)<\/p>\n

Sursa;\u00a0 http:\/\/hedir.ro\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00cengerul anonim vegheaz\u0103: poeta Hedir Al-chalabi iube\u015fte existen\u0163a din lut \u015fi lumina ascuns\u0103 ei \u00cen aceste zile a ie\u015fit de [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-9263","post","type-post","status-publish","format-standard","hentry","category-articole","category-linkuri-externe"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/9263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=9263"}],"version-history":[{"count":0,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/9263\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=9263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=9263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=9263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}