{"id":9933,"date":"2013-01-11T14:24:02","date_gmt":"2013-01-11T14:24:02","guid":{"rendered":"http:\/\/www.marianagurza.ro\/blog\/?p=9933"},"modified":"2013-01-11T18:08:18","modified_gmt":"2013-01-11T18:08:18","slug":"nina-ceranu-eliberare-prin-cuvant","status":"publish","type":"post","link":"https:\/\/www.marianagurza.ro\/blog\/2013\/01\/11\/nina-ceranu-eliberare-prin-cuvant\/","title":{"rendered":"Nina Ceranu: Eliberare prin cuv\u00e2nt"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" id=\"rg_hi\" class=\"alignleft\" src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn:ANd9GcTCU-M_SaD4nWoj1k5mFVWFrkLzS_Tv-waeSw173d8PUMmoxQvK\" alt=\"\" width=\"140\" height=\"240\" data-height=\"240\" data-width=\"140\" \/>\u00cen labirintul interior al poetului se str\u00e2ng adesea toate contrastele lumii \u015fi aduc cu ele tr\u0103iri greu de imaginat.<\/p>\n<p style=\"text-align: justify;\">Robit\u0103 cuv\u00e2ntului, fascinat\u0103 de sclipirea unei imagini, de rezonan\u0163a unui cuv\u00e2nt, Mariana Gurza \u00ee\u015fi vede ast\u0103zi <em>Ultimul strig\u0103t<\/em> adunat \u00eentr-un volum unitar dup\u0103 celelalte (<em>Paradox sentimental<\/em>, Ed. Augusta, 1998; <em>G\u00e2nduri nocturne<\/em>, Ed. Augusta, 1999; <em>Nevoia de a sfida tacerea<\/em>, Ed. Augusta, 2000, <em>Lumini \u015fi umbre<\/em>, Ed. Augusta, 2001; <em>Lacrima iubirii<\/em> Ed. Artpress, 2003). Prin volumul <em>Ultimul strig\u0103t<\/em>, \u00ee\u015fi elibereaz\u0103 acum ostatecul, l\u0103s\u00e2ndu-l s\u0103 n\u0103zuiasc\u0103 la alte \u00eencerc\u0103ri, \u00een care tensiunile cu greu se sting \u00een pacea contempl\u0103rii. \u00cen acest \u201eteritoriu\u201d, \u00eencercat \u015fi uneori greu accesibil altora, autoarea are din c\u00e2nd \u00een c\u00e2nd clipe de lini\u015fte fragil\u0103 c\u00e2nd versurile devin universul \u015fi salvarea sa. Din pricina unor astfel de contraste poezia sa pare contaminat\u0103 de un aer melancolic.<\/p>\n<p style=\"text-align: justify;\">Imaginile proaspete dezv\u0103luie o poezie interesant\u0103 care surprinde via\u0163a ascuns\u0103 a cuvintelor. \u00cen general \u201emecanica\u201d poemelor este simpl\u0103, \u00eenceputul e adesea cuminte sau chiar neutru, gener\u00e2nd apoi \u00eentreaga combustie a imaginilor, func\u0163ie de for\u0163a iradiant\u0103 a unor motive poetice, de altfel destul de des vehiculate \u00een literatur\u0103, dar aici cu alt\u0103 aur\u0103. Derizoriul \u015fi perfec\u0163iunea se oglindesc reciproc cu mult\u0103 voluptate. F\u0103r\u0103 a se crea conflicte, versul duce cu el ratarea \u00een dragoste, ingratitudinea ori umilin\u0163a la care e supus\u0103 fiin\u0163a iubitoare, am\u00e2ndou\u0103 dominate de credin\u0163a \u00een Dumnezeu, de credin\u0163a \u00een zile mai bune, \u00een unele tr\u0103iri noi.<\/p>\n<p style=\"text-align: justify;\">Peste lumea \u00een care vie\u0163uim, agresiv\u0103 \u00een declinul ei, se instaleaz\u0103 crezul poetei \u00een izb\u0103vire, dar dac\u0103 nu prin dragoste, m\u0103car prin trecerea implacabil\u0103 a timpului.<\/p>\n<p style=\"text-align: justify;\">Mereu ispitit\u0103 de solitudine, dar nu indiferent\u0103 c\u00e2nd se g\u0103se\u015fte \u00een preajma semenilor, \u00eens\u0103 cel mai adesea a versului, Mariana Gurza modeleaz\u0103 decorul unde \u00ee\u015fi a\u015faz\u0103 sufletul, dup\u0103 tipare cunoscute, dar cu nuan\u0163e noi. Face astfel trecerea spre polul poeziei, unde ne\u00eemplinirile se transform\u0103 \u00een speran\u0163e, unde e locul vr\u0103jit ce \u00eempline\u015fte leg\u0103tura vie a Marianei Gurza cu lumea \u00een care tr\u0103ie\u015fte \u015fi sper\u0103. C\u00e2nd poezia dispare, poeta se treze\u0219te singur\u0103, str\u0103in\u0103, f\u0103r\u0103 pa\u015faport, \u00eentr-o lume \u00eenghe\u0163at\u0103, dar apropierea ei \u00eenseamn\u0103 trecerea \u00eentr-un alt anotimp, acela al \u00eemplinirilor. A\u015fa se na\u015fte <strong><em>Ultimul strig\u0103t<\/em><\/strong>.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: right;\" align=\"right\"><strong>Nina Ceranu\u00a0<\/strong><em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen labirintul interior al poetului se str\u00e2ng adesea toate contrastele lumii \u015fi aduc cu ele tr\u0103iri greu de imaginat. Robit\u0103 [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-9933","post","type-post","status-publish","format-standard","hentry","category-articole"],"_links":{"self":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/9933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/comments?post=9933"}],"version-history":[{"count":4,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/9933\/revisions"}],"predecessor-version":[{"id":9981,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/posts\/9933\/revisions\/9981"}],"wp:attachment":[{"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/media?parent=9933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/categories?post=9933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianagurza.ro\/blog\/wp-json\/wp\/v2\/tags?post=9933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}